Excited to share some secrets of independent film financing and production.

Excited to share some secrets of independent film financing and production.

http://www.mightyvisual.com/FILM_FINANCING_AND_PRODUCTION.html

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Star Wars - The Force Awakens / Long and slow, in a multiplex led far, far astray.

In The Force Awakens a black man is tasered twice, drinks putrid water from a trough alongside an animal resembling a pig, and - in his own words - states that he used to work in sanitation. OK. Let's let those details slide. Call me politically correct. A Cambridge lefty. I can take it. By the way, that black man is the film's male lead. Does that make everything okay? By now everyone pretty much agrees that there are no major surprises, aesthetically or narratively, in The Force Awakens. OK, maybe the aerial dogfights have a few more twists and turns than last time, and what happens to Han Solo is, well, something of a surprise (though we all saw it coming). But everything from the film's color palette to its chase-scene structure (where's the map? C'mon people!) smacks of deja vu all over again. Of course, it's supposed to. You don't make a billion dollars on a $350 million investment (that's some cabbage right there, folks!) innovating . You ma...

Alejandro Jodorowsky

From El Topo (1970). Alejandro Jodorowsky (right). The idea of a western as something more than a good guy (white hat) / bad guy (black hat) showdown had been pioneered by John Ford as far back as Stagecoach (1939), but few if any - filmmakers can turn a genre piece into a quest for spiritual enlightenment. Infused with iconic and surreal imagery, El Topo is considered the grandaddy of midnight cult movies, and deservedly so. Jodorowsky has said his goal with regard to cinema is to re-create the experience of taking LSD, without taking the hallucinogenic. He wants to re-write the book on how humans perceive life and themselves. Highly ambitious, his films shatter every preconceived notion we have about what cinema is supposed to be. Imagine Luis Bunuel, Quentin Tarantino, and Gabriel Garcia Marquez rolled into one and you'd probably get Alejandro Jodorowsky. He has called himself the "father of the midnight movie" and he's probably right. Throughout his c...

The End of the Tour

Great poster! Beautiful concept. The image tells us everything we'd want to know about the film. Especially gutsy is the decision to exclude Jesse Eisenberg's and Jason Segel's faces. It's called a two-hander . In the theatre it connotes a play with only two actors. hink Driving Miss Daisy or most plays by Samuel Beckett. In The End of the Tour , Jason Segel and Jesse Eisenberg and director James Ponsoldt take the two hander into movie land, albeit with a supporting cast (including a hilarious comedic acting turn courtesy of Joan Cusack) and make it into a genuine, moving, funny, and heart-wrenching bit of cinema. The celebrity writer and his admirer. Jesse Eisenberg and Jason Segel. We may never know who David Foster Wallace really was. Already his estate is disowning this film - but the truth about that is also up for grabs. All we have is the film, exhibit A (if you will), and what we read about it, along with Mr. Wallace'...

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