Skip to main content
In our real time amnesiac society, writing about The Interview today may be like arriving a little late to the party, but I have to say that, watching it last night with the Katherine and the kids, some notes are in order.

For starters, don't be fooled. This is a family movie. Today's American 12 and 14 year olds are really adults disguised as children. They will see more on the interweb and talk more supposed "trash" at school than The Interview could possibly hope to do. Furthermore, if you are looking to suspend your disbelief because you seek realism, look somewhere else. The Interview shamelessly mocks itself and kids not only get that "it's only a movie", but this knowledge grants the filmmakers and audience license to ill. Satire, parody, and comedy, as we have seen recently in Paris, can really piss off individuals, splinter groups, clans, tribes, or nations. It would be too much to say the "offended" parties lead humorless lives. After all, do they not giggle at their own human foibles (like when they fart in public)? But it may not be too much to say that these same offended parties are kinda messed up in the head when a satirical film "threatens" their national security causing them to unleash a cyber war upon Sony Inc. (One of my favorite companies, by the way, because they make cameras I really like to use, notably the Sony EX1 hi def camcorder).

The Interview is an expertly made satire that actually pushes the conversation about the family of nations squarely into the public forum. I am not kidding. Can you imagine a more powerful movie that would get apathetic, apolitical American viewers (and the stoner crowd) politicized? When the lights came up I was asking myself why North Korea has isolated itself so completely. How can a nation so large and so powerful not want to join the inevitable international move to a global economic and cultural marketplace? Or maybe they do but their leaders won't let them? Are there millions of North Koreans who have so deified Kim whatever-your-name-is that they will willingly starve themselves to death? Conversely, why should we care? Because they have the bomb? Will they really use it?

The larger point (and one - among many excellent points - which the film makes) is that America likes to export democracy - even to places that may not want (or may not know they want) it. What Rogen, Franco, and Goldberg are saying is: this North Korean state is one of the last - and unfortunately nuclear - nations that not only oppresses its own, but refuses to play along with with liberalism and free market capitalism. Can't we all just get along? But they are packaging this message in a bawdy, raunchy, politically incorrect, satire that audiences from 12 to 80 can understand.  I plan to see it again - if only for Eminem's cameo.

http://en.wikipedia.org/wiki/The_Interview_%282014_film%29

Comments

Popular posts from this blog

Art and Craft documents forger's fictions

A while back a story appeared about an art forger who'd pulled the proverbial wool over hundreds of art curator's eyes over a time period spanning several decades. The forger, Mark Landis, had been exposed, was still at it, and no legal body could jail him or force him to cease and desist because no transaction took place; Landis donated his forgeries, dressing up the con with a superbly crafted narrative about family inheritance, blue blooded ancestors wishing to give charitably to museums, and in many cases disguising himself as a (freakin!) priest to sell the lie. A fabulous moment in Art and Craft shows Landis blessing a passerby. We laugh and laugh some more. Anyway........cut to Brooklyn and a group (Sam Cullman ,  Mark Becker ,  Jennifer Grausman) of indie doc makers. There begins the longitudinal filmmaking process spanning - I believe - nearly three years. The resulting film, Art and Craft, is a must see. Mark Landis, as we learn, ha...

Alejandro Jodorowsky

From El Topo (1970). Alejandro Jodorowsky (right). The idea of a western as something more than a good guy (white hat) / bad guy (black hat) showdown had been pioneered by John Ford as far back as Stagecoach (1939), but few if any - filmmakers can turn a genre piece into a quest for spiritual enlightenment. Infused with iconic and surreal imagery, El Topo is considered the grandaddy of midnight cult movies, and deservedly so. Jodorowsky has said his goal with regard to cinema is to re-create the experience of taking LSD, without taking the hallucinogenic. He wants to re-write the book on how humans perceive life and themselves. Highly ambitious, his films shatter every preconceived notion we have about what cinema is supposed to be.  Imagine Luis Bunuel, Quentin Tarantino, and Gabriel Garcia Marquez rolled into one and you'd probably get Alejandro Jodorowsky. He has called himself the "father of the midnight movie" and he's probably right. Throughout his c...

BY ORDER OF THE PEAKY BLINDERS

The Peaky Blinders were a criminal gang based in Birmingham, England during the late 19th century and, to a lesser extent, in the early 20th. Allow me to impose a break from the insane reality of American electoral politics and invite you to take a fictitious trip back to Birmingham, England, 1919. The obvious heir to Coppola's Godfather epic, with a dash of DePalma's Scarface, mixed together with Soprano-style family values gone hopelessly and blissfully wrong, Peaky Blinders is easily one of the most entertaining, well crafted, expertly written long form series I've seen in a very long time! I'd forgotten there was a genre called "epic gangster family saga" - yet here it is, the brainchild of writer/director Steven Knight (Locke, Dirty Pretty Things, and - yes - the creator of Who Wants To Be A Millionaire, but that's another story - 'Millionaire was his day job until the high end work took over).  Playing the sociopathic...